POʻO ʻOLE
Commissioned for HT22
Size: 10’ x 40’ x 6’
Medium: Steel, Plexiglass, Acrylic Paint and Plywood
2021
For HT22, Herman Piʻikea Clark honors the memory of his grandfather, Eric Keawepoʻoʻole Vannatta, through Poʻo ʻOle—a concept meaning “headless,” symbolizing continuity without end. The installation features repeating ancestral forms and the red and yellow hues of chiefly regalia, affirming the resilience of Hawaiian culture and genealogy within the commercialized landscape of Waikīkī.
THE PROCESS
In creating Poʻo ʻOle, Clark engaged in an introspective process rooted in ancestral connection and personal narrative. Drawing upon family stories and the symbolic language of chiefly adornment, he selected color palettes and geometric motifs tied to traditional regalia. Repetition became a visual strategy to express the unbroken transmission of cultural knowledge across generations. Set against the backdrop of Waikīkī, a space often defined by tourism and spectacle, Poʻo ʻOle reasserts Native presence and authority. Through this work, Clark not only commemorates Eric Keawepoʻoʻole Vannatta, but also affirms the enduring vitality of Hawaiian identity in a landscape shaped by ongoing transformation.
INSTALLATION LOCATION AND DETAILS
Royal Hawaiian Center, Waikiki, Hawaii
Commissioned by Hawai‘i Contemporary for the 2022 Hawai‘i Triennial (HT22).
HT22 stands for Hawai‘i Triennial 2022, a large-scale, multi-site contemporary art exhibition organized by Hawai‘i Contemporary. It brought together local, regional, and international artists to explore themes connected to Hawai‘i’s unique place in the world — navigating indigenous identity, environmental concerns, globalization, and cultural resilience.