NĀ ‘AUMAKUA

Artist Collection
Size: 11” x 17”
Medium:
Acrylic on Canvas Board, series
2020

Nā ʻAumakua is a layered acrylic work that explores how unseen influences—history, values, and inherited knowledge—continue to shape perception and decision-making. Developed through Indigenous abstraction, the work is less about representation and more about cultivating awareness: learning to recognize what is present, even when it is not immediately visible.

The painting was built through iterative layering, reflecting a process that values attention, patience, and informed response over speed or fixed outcomes. Rather than prescribing meaning, the work holds space for multiple interpretations, mirroring how insight and clarity often emerge in complex environments through observation and relationship.

References to natural forces—wind, water, cloud, and light—signal that guidance and intelligence are embedded within context and systems, not imposed from above. In this way, Nā ʻAumakua functions as both an artwork and a practice example, demonstrating how clarity, accountability, and alignment can be achieved by listening carefully to context rather than overriding it.

Rooted in Indigenous ways of knowing, the work offers a framework for thinking about leadership, responsibility, and continuity—particularly when navigating uncertainty, change, and long-term impact.

Close-up of a skateboard deck featuring an abstract design with concentric circles, stripes, and curved lines in red, black, yellow, and gray on a textured surface.

THE PROCESS

This artwork was created in dialogue with the sacred Hawaiian ‘oli Nā ‘Aumākua, specifically the invocation: “E mālama ‘oukou iā mākou”“Watch over us, care for us.” These words served as both anchor and atmosphere in the creation process, guiding each gesture with intention and reverence. Rather than illustrating the chant, this series offers a visual embodiment of its spirit. The panels were created through a process of layering, veiling, and uncovering—each step mirroring the rhythms of the chant itself. Using acrylic and mixed media, I explored the boundaries between form and formlessness, presence and invisibility—echoing the way our ‘aumākua move between worlds. The soft, pale hues suggest the liminal: dreams, clouds, winds, breath. The geometric forms—abstract yet genealogically charged—reflect pathways of connection between ancestors and descendants. Each panel stands as a visual prayer, a call and response across generations. In honoring the plea of “E mālama ‘oukou iā mākou,” this work becomes both an offering and a request: a way to remember, to be remembered, and to affirm that the care of our ancestors surrounds us still.